On February 22, 2014, the Katipunan ng mga Samahang Maharlika, Inc (Ang KaSaMa, Inc.) in partnership with the Alumni, Friends and Benefactors of the Asian Center (AFBAC, Inc.), Humanistic Studies 20 Class, The United Brotherhood for Development and World Peace Thru Maharlika, Inc, The Venus Project-Maharlika, and the Maharlika Artists and Writers Federation (MAWF) convened the first Maharlika Summit at the Asian Center Auditorium, GT-Toyota Hall of Wisdom, University of the Philippines Diliman, Quezon City.
The summit was themed “ReVisioning ‘Maharlika’ as a cultural metaphor, folk history and social movement for national identity, transformation and development.
The summit goal was to provide a safe space for all to discuss from varying vantage points the Maharlika cause and narrative.
Babaylanism and Catholicism
First, the National Historical Commission of the Philippines Commissioner Fe Buenaventura Mangahas in her presentation “Babaylan Tradition: The Ancient Culture” discussed the role of women as babaylans in Filipino society. She said that as time passed babaylans in ancient communities were both women and men. Babaylans were essentially feminist. Babaylans were the custodians of faith, faith healers, foresighteers, visionaries, and advisers of people and indigenous communities.
She said when the Spaniards came to impose Catholicism over the archipelago, some of the babaylans resigned to accept the new faith to avoid further suffering from the abuses of friars. These women would later emerge as devotees of the Virgin Mary and the child Jesus. Academic discussions on history in basic and the secondary schools seldom shed light on the story of the babaylan before and after colonization. They were extensively tortured and left-out and this led to their eventual demise according to Mangahas.
Professor Argonza provided a deconstructive morphological analysis of the name, word Philippines and Maharlika. Morphological analyses on Philippines were inclined to the infamous history of King Philip II of Spain argued Argonza. He said that “Philippines”, as word, could be reduced to the following morphemes: phi, lip, and pines. Phi being the phallus or the masculine concept, and lip as referent for the female organ. This masculine and feminine relation symbolizes wholeness and balance which will make Philippines a positively potent name to “signify a showering of vast opportunities.”
This is the first morphological analysis of Philippines that looked at the positive aspect of the name in relation to King Philip II.
The Vision of Greatness and Maharlika, Its Sanskrit Origin
Maharlika, analyzed in terms of its connection to Sanskrit, “maha” means “great” and “likha” meaning “creation”, the former Senator Eddie Ilarde and Prof. Grace Odal-Devora discussed the word extensively. Prof. Argonza presented the word Maharlika this way:
“Ma is maternal element, feminine. Har is the Life Force, or Haj, the masculine aspect. Li refers to act of movement or transfer. Ka is referent for revolutionary spin, which means change. The bisyllabic Mahar, feminine & masculine conjoint, refers to ‘great’ or ‘major’, with the same Wholeness explicitly conveyed. In sum, Maharlika means Great Force for Revolutionary Change.”
These insights on how the terms were interpreted brings into light new perspective on Maharlika as a word, concept and metaphor.
Another is is the Maharlika-Dravidian connection.
Harri Sri, a Sri Lankan board member of a mission house in Davao City and a professor at the Saint Paul University and Niagra Catholic School Board, argued that the Philippines might have had some links to a South Asian Tamil-Hindu colony .
Because little was known about pre-Hispanic Philippines, Dravidian remnants in Philippine languages could provide information some long lost linguistic or perhaps historical account of the Maharlika-Dravidian link. 
The golden Tara of Agusan recovered in the Wawa River sometime in 1917 corroborated early Indo-Maharlika contacts. The 21 carat gold figurine of Tara is presently kept at the gem room of the Chicago Field Museum of Natural History, USA.
Professor Dr. Grace Odal-Devora presented some Hindu-Buddhist and Austro-Dravidian links of Maharlika by citing some specific evidences.
Unpacking the Narrative and Some Alternative Futures
In the not-so-distant past, there was also the Maharlika-Marcos New Society paradigm.
Most of the presenters disregarded the fact that Marcos popularized and used Maharlika to brand his social, technological, cultural, economic, environmental and political agenda.
Maharlika was Ferdinand Marcos worldview and governance myth. Marcos used it to reinterpret Filipino nationalism and he was influential in making Maharlika a buzzword. He named major streets/highways, halls, banquets, villages and cultural organizations as Maharlika. In fact, the Maharlika Hall is the reception area of the Malacanang Palace.
In summary, Maharlika was the culmination of Marcos social, societal and political utopia.
Some questions on the future of Maharlika emerged. These were: Is the Marcosian Maharlika narrative a weight of history to the future of alternative Filipino society – the Republic of Maharlika? Or is Maharlika a disowned future due to its association with former President Ferdinand Marcos? Is this Marcos worldview the preferred future? Are there other alternatives? Or will the Maharlika movement challenge the old concept and offer, reinterpret the word into something more relevant, meaningful, insightful?
The Maharlika and the PROUT movement offers a new Maharlika worldview and analyses:
Mahardikka: Rich, Prosperous and Powerful
“During the Majapahit Empire which is entirely part of Southeast Asia, and the capital surrounding the islands of Sulu, the name Maharlika was respected by the Datus and Rahas, and all the leaders of the society. The name also empowers strength, winning not only in battles, but in morals and love among people….Moreover, the word is deeply grounded within the Dravidian and Austronesian ancestral traditions and heritage of the peoples in the region.“
Maharlika is extremely popular amongst Filipino Muslims – Maguindanoans, Maranaos, Lumads including some indigenous groups and ethnic communities in the Visayas and Luzon. The word reminded them of the era when the ancients and the Maharlika warriors fought the Spaniards and resisted European colonization. It was a symbol of freedom; of people who were not obligated to pay taxes and tributes. Maharlika was the “free man”.
The Maharlika were the warriors of the light (Mandirigma) and it was synonymous to “victory” (in Sanskirt it means Vijaya, Visayas or Shrii Vijaya – pagtatagumpay) against all forms and types of oppression, repression and suppression.
Maharlika was a symbol of freedom from exploitation (Mahardikka, Merdeka, etc.).
For the Malayan culture, the Singaporeans, the Malaysians and the Indonesians, Mahardhikka, Merdeka was the battle-cry for independence.
In the virtual world, Maharlika has been gamed and digitized.
It has re-emerged as the Anak Bathala meaning the natural born leader and master of advanced tactics. The Maharlika in its virtual form embodies the native islands greatness.
Maharlika: The PROUT perspective
For the PROUTist (advocates of the Progressive Utilization Theory), Maharlika represents respect, peace and serenity, the values, spirituality and wisdom of indigenous people – the ancients. Like a mantra, it is a cultural memory or a code that has the power to ‘liberate colonized intellects’ trapped and imprisoned by past trauma and colonial histories. The word, for the PROUTIST, is key to decolonizing the local psyche. The word and its meanings, PROUTIST will argue have evolved and were profoundly influenced by Hinduism, Buddhism, Islam and Christian traditions and belief systems.
Maharlika could also mean ‘self-awareness’ which brings peace to one self and others.
The PROUTIST offers Maharlika as a lens, an alternative way of knowing, Maharlika as a worldview they posit addresses all spheres of human existence – the physical, the mental and spiritual.
Maharlika is the “dynamic equipose” and “inner strength” of the local native.
Maharlika as a cultural and social identity is a viable alternative to the Filipino. The word has the potential to disrupt and disturb current context of self-knowing.
As a social, cultural and political philosophy, Maharlika has the potential to disrupt current conventions of power, power relations and power configurations.
The Maharlika PROUT narrative has its own vision of alternative leadership, system of government, version of social theory and power – the Sadvipra, the spiritual-intellectual leader.
More Questions than Answers
So this is how the participants at the Maharlika summit perceived and envisioned Maharlika today but of course there are more questions than answers.
Is the Marcosian version of Maharlika the official future of the word? Is there an alternative future for Maharlika? What might the future Maharlika or the Republic of Maharlika look like? How will or how can the PROUTIST or the Maharlika movement challenge and revision the concept, the meaning, the myth?
It’s a hard nut to crack but whatever that is the Maharlika movement envisions a future where the country is named the Republic of Maharlika and its citizens Maharlikans!
We did flashed some questions at the conference and toyed with some initial idea and images of what might the future of Maharlika as a narrative, as a nation, as citizen might look or be like in the immediate future?
Below are the images.
Romelene Pacis Notes at the Maharlika Summit 2014 @ University of the Philippines Diliman, Asian Center Auditorium.
“ReVisioning ‘Maharlika’ as cultural metaphor, folk history and social movement for national identity, transformation and development” @ http://maharlikasummit.com/
Rodel Rodis. 2012. Maharlika Reconsidered @ http://globalnation.inquirer.net/mindfeeds/mindfeeds/view/20080902-158208/Maharlika-Reconsidered
 He authored a book in 2000 titled “13th Gate Unveiled: the Glorious Destiny of the Philippines and Southeast Asia” in which he discussed said visions.
 For the sake of Tamil readers, he posted a copy of his paper and the Tamil inscription on his Facebook page.
By Romelene Pacis and Shermon Cruz